Steve Roberts continues the inclination to dream big. His works under the name Amongst Myselves are brilliantly crafted aural poems to all things telluric. Another precision built soundscape, The Good Earth (65'02") has taken several years to fully realize. Its six tracks have a connection to the continent of Australia, which is where Roberts resides, but seems more a devotional work to the entire planet and the tender land which provides us with life. A curious mix of naturalist details and a fantastic sense of sound, this album may be admired as much for its simplicity as for its tangled sense of fury, solemnity and ambience. Granting the soothing that modern life does not, rather than merely suppressing symptoms, The Good Earth provides a lasting improvement in our countenance. Layers of sustaining warm notes slowly gather, build and recede in a lulling and harmonious infinite moment. In its swirling storm cloud chords and charged electronics we seem to hear this music in the same way we absorb sense data. Beneath the soft glow hovering above each composition, a varying layer of synthesizer consonance and imaginative modulations are grounded by detailed drones and plucked steel strings. In slow waves of sleep harmonizing neurons, bass notes writhe beneath breathing ambient spheres - re-ordering the mind in a restless meditation on atmosphere and texture. The collage of tones tunes the experience, from ground brown lows to clear blue high skies, and on into a sacred black. As vast as the soundscapes feel, we find that there are only two people in The Good Earth - the musician, and you the listener. Simultaneously beautiful and tragic, uplifting and haunting, Roberts hopes we will feel the weight and wonder of life, and the beautiful part we occupy in a much larger organism.
- Chuck van Zyl/STAR'S END 26 March 2020